GENRE; Folk/Country
LAEBL; Last Recordings on earth
RATING; 6.9
Released on 23 January 2026, Death in the Business of Whaling marks a significant step forward for Portland‑based singer‑songwriter Alec Duckart, who performs as Searows. The album’s title comes from Herman Melville’s Moby Dick, a literary touchpoint that mirrors the record’s oceanic imagery and existential themes. Duckart expands his indie‑folk sound with richly textured arrangements and introspective lyricism that explores loss, identity, and emotional turbulence.
From the opening “Belly of the Whale,” the listener is submerged in a moody, immersive atmosphere where sparse instrumentation and haunting vocals evoke a sense of being adrift in uncertain waters. Critics have praised the album’s cinematic quality and emotional depth, driven by Duckart’s ability to craft lyrics that feel both intimate and mythic.
Highlights like “Dearly Missed” and “In Violet” showcase the album’s dynamic range. “Dearly Missed,” in particular, blends swirling guitars, thunderous drums, and raw urgency, pushing beyond the quiet folk the artist is often associated with. The production by Trevor Spencer adds a haunting breadth to the record, giving it occasional slowcore and dream‑folk textures without losing its lyrical focus.
Some reviewers note that while the record occasionally dips into familiar indie‑folk territory, it remains distinct through its bold conceptual vision and atmospheric execution. Fans on social platforms have responded passionately, calling the album emotionally devastating, immersive, and a potential “album of the year” contender.
Ultimately, Death in the Business of Whaling is a sombre yet captivating journey—a record that embraces reflection and nuance over easy resolution, cementing Searows’ place as one of indie folk’s most compelling voices in 2026.